How to Write a Song in Ten Steps – My Song Coach I love my complexion, but like so many of us, in the early years at primary school, I grew up thinking that my dark skin wasn't a great thing. I've found freedom in music and songwriting, which has given me a freedom in how I present myself. Whether you want to write songs to pitch to music publishers, TV shows and. here's a songwriting method that will help you get your message across and. creative ideas flowing and help you craft songs that work for today's music market.
The Best Music to Listen to While Writing + a Few Writing Playlists. A songwriter is a professional who is paid to write lyrics and melodies for songs, typiy for a popular music genre such as rock or country music. A songwriter can also be ed a composer, although the latter term tends to be used mainly for individuals from the classical music genre. Here is the best music to listen to while writing, based on our. Another study from Stanford University found that music helps us organize information. of North Carolina, Greensboro, and a creative writer, would agree.
Should you listen to music while writing? - Where Teens Write You’re about to discover a simple formula that will blast you past confusion and have you write songs that you LOVE… In this article I will show you how to get past this frustration, and actually write something you really, really like. as well as leave you knowing exactly how to become the best songwriter you can be. Now keep in mind that there is a great deal of theory and scientific research behind the formula I’m about to give you. For example, if you're cleaning the house, listening to music will help you get it done. Does listening to music impact your creative writing in a negative way?
So you want to be a writer Books The Guardian Songwriter Jason Blume says that his “sole job duty is to create hit songs that are geared for the commercial market—and do the business required to get those songs to generate income.” As a Songwriter, his job is to write both the lyrics and melody for a song, whereas a Lyricist exclusively writes lyrics and does not write the music for the piece–an important difference between the two roles. (Check out our blog on this subject for a more in-depth explanation.)As in many music industry careers, no two days are alike for a Songwriter. Blume says, “I have a few different types of “typical” days. First, it’s important to understand that songwriting is approached differently in Nashville than it is in other music centers, such as Los Angeles, New York City, and London. In Nashville, where I’m based now, pro Songwriters typically go to an office to write their songs. They sit with guitars in writing rooms and collaborate with other Songwriters. I did that for more than twelve years and wrote hundreds and hundreds of songs that way. Outside of Nashville, in many instances, pro Writers have recording studios in their homes. Some Songwriters do nothing but produce musical backing tracks (i.e., the keyboards, bass, drums, guitars) but rely on other Writers to create the “top line” – the melody and lyric – that the Vocalist sings. When I was in Los Angeles I more often went to a collaborator’s home studio to write. Some of a Songwriter’s time is also spent producing demos—recordings that are used to demonstrate the potential of their songs, and regardless of where or how you write, a portion of your time will likely be spent taking care of business. This includes having meetings to pitch your songs to record label executives, Producers, and Managers. Some days—or parts of days—are spent writing; some are for having meetings; some are for recording demos. Songwriters typically work with music publishers, other Songwriters, and Musicians. While some Songwriters might write alone, I typically collaborate with other Writers who bring out the best in me—and with Recording Artists and Record Producers who are looking for songs. Most professional Songwriters are affiliated with music publishers, and interact with other music business professionals, such as Recording Engineers, Record Producers, Recording Artists, and Managers.”Songwriters advance in their career by writing hits for bigger artists and therefore earning a higher income. Blume says, “the potential for earnings is almost limitless. The top Writers—those who consistently write or co-write hit singles for superstar artists—earn tens of millions of dollars. But the cold hard reality is that only the tiniest fraction of a percent of Songwriters ever reaches that level. In fact, the overwhelming majority of Songwriters never earn any significant income from their work and work “day jobs” to support themselves while they pursue their dream. There are no guarantees of ever earning a penny as a Songwriter—but some of those who are exceptionally talented, persistent, and good at promoting themselves do manage to break through.”Although a handful of universities offer degrees in Songwriting, higher education is not essential for this career. In the words of Jason Blume, “Music publishers don’t care whether or not you have a degree in songwriting, or what else you’ve done. It’s a business, and they care about one thing: whether you can deliver songs that they believe will earn you—and them—lots of money. I’m not saying that classes and workshops can’t improve your songwriting skills; they can be very helpful, and good ones can provide you with inspiration, tools, and techniques. I teach that there are no “rules” in songwriting—but there are “tools” that are consistently found in successful songs. As a teacher, I explore what works—then encourage my students to use techniques that have proven successful—while adding their own unique flavor to it. We’re not born with knowledge such as the popular song forms and structures, how to craft the most effective chords, or where to place rhymes. These are things we can learn in classes and songwriting workshops, as well as from reading books on the topic. The radio stations playing the current hits are our best teachers—but it helps to have a professional give direction and point out what’s working in our songs.”Many Songwriters also create and perform their own materials. Blume says “it’s not mandatory that you play an instrument—but it definitely helps. So study guitar or keyboards if you’re so inclined. It’s also helpful to understand the business of songwriting.”“As you can tell from my previous response, being a Songwriter requires unending perseverance and a willingness to keep pursuing your goal no matter how long it takes. You have to be able to deal with years of rejection, frustration, and disappointment, and still believe in yourself enough to keep writing songs, networking, and working on your craft,” Blume says.“Also, you need to be someone who can handle not having a guaranteed, steady income, and you need to be able to cope with the pressure of needing to consistently produce ‘hits.’”Songwriting is as much a business as it is an art. Jason Blume says that “I had a fantasy that Songwriters lay out by their pool, sipping a drink, and waiting for a brilliant song to strike them. The successful Writers I know work incredibly long hours. When they’re not busy writing songs, they’re doing demos, having business meetings, and hanging out with people who can advance their careers. While it’s true that you are essentially your own boss—and can set your own hours—the successful Songwriters I know are driven and are almost always either working—or thinking about their work.”Getting that first songwriting gig isn’t as easy as just submitting a resume or swinging by a restaurant to speak to the Manager. Jason Blume says, “In almost all instances, one doesn’t really get a “job” as a Songwriter. The extremely rare exceptions are when someone might be hired and paid a salary to create songs for a TV show, an advertising agency, or a theme park. But this would probably be less than 1% of all professional Songwriters. If you want hit songs on the radio it’s not as if you fill out a job application and someone hires you to write songs. Unless you’re in a band, writing with a successful artist, or you’re an artist writing for your own projects, your goal will probably be to become a Staff-Writer. Although that sounds like a “job,” what it really means is that you’ve signed an exclusive song publishing agreement with a music publishing company. Everything you write during the term of your contract is published by that company. You just have to deliver a quota of songs each year—and in many instances (especially outside of Nashville) only songs that are commercially released by artists on major labels count toward your quota. But regardless of how many songs you write, you will only remain under contract if your songs are earning money, or the company believes you are delivering potential hits. When you sign a staff-writing deal you are advanced money—as if they are lending you your own future royalties. In most instances, unless you already have a track record of hits, your advance will be just enough to survive. But it’s not a salary; when you have success, the money you were advanced will be recouped by the publisher before you see additional royalties. The big advantage of being a staff-writer is that your publisher has a vested interest in promoting you and your songs in ways that few developing Songwriters could ever do on their own. Ideally, your publisher should have access to the Producers, record labels executives, Managers, and Recording Artists who have the power to say, “Yes.” They should also be able to set up collaborations for you with Recording Artists and Producers. In many instances, this is how Songwriters get their work recorded. One typically gets a staff-writing deal by networking, collaborating with staff-writers, and meeting publishers at music industry events. It rarely works to send unsolicited material to companies. Publishers are very selective about who they sign—and seek writers who they believe have exceptional material—“HITS” that are geared to the current market.”“As a Songwriter, except for the rarest exceptions, 100% of your income comes from royalties earned when people buy digital and tangible recordings of your songs (downloads and CDs) and from streaming, as well as “performance royalties” that are generated when songs are played on the radio, broadcast on television, on the Internet, on airplanes, and in places such as restaurants, nightclubs, and concert halls. It doesn’t matter how many songs you write or how amazing they are; you only get paid when people buy or stream the songs, and when they are performed or broadcast—such as on TV and the radio.”Blume is a big believer in networking opportunities for Songwriters. He advises that aspiring Songwriters, “Research your local songwriting organizations; they provide both educational and networking opportunities. Nashville Songwriters Association International (NSAI) has chapters in more than 110 cities, and Songsalive meets in multiple cities, as well. New England to Nashville (NETN) has excellent events for those in New England who are focused on the Nashville music market, and the West Coast Songwriters organization provides opportunities for those in that part of the country. Taxi also provides pitching opportunities for writers who are writing material that is competitive. An extensive listing of songwriting organizations can be found in my book , Revised 2nd Edition.” For other books that teach valuable business and creative skills for Songwriters, check out our blog post, “The 5 Must-Read Books for Every Songwriter. As for online resources, he recommends Muse’s Muse. Blume shares the story of how he got started as a Songwriter and provides some tips for aspiring Songwriters.“I wrote my first songs when I was twelve by strumming my father’s mandolin. I performed in coffee houses and nightclubs, mixing my original songs with well-known songs. After college, I moved from Philadelphia to Los Angeles to pursue my songwriting dream. I knew there would be more classes, serious collaborators, and opportunities to make business connections in a major music center. When I wasn’t working my day job I wrote songs, recorded demos, networked at music industry events, and took classes every spare moment. I wrote hundreds of lousy songs—although I didn’t know that at the time! But as I studied my craft and the market, received professional feedback from teachers, and rewrote my songs to make them as strong as possible, my songs improved and became more geared to the commercial market—meaning the songs that were on the radio. I met with a music publisher who suggested I rewrite a country song I played for him. After seven rewrites—and seven new demos—he sent the song to his Nashville office. It was recorded by a new artist and became a single. Although it earned very little money, it opened up doors that led to my collaborating with professionals who were signed to a publishing company. ”While my song was on the charts I went to Nashville to collaborate and make connections. That was seven-and-a-half years after I’d moved to L. One of the songs I wrote with a pro writer was recorded by a superstar group 3-1/2 years after we wrote it. It happened because my cowriter’s publisher pitched the song. Suddenly, every door was open to me and I signed a staff-writing deal. That was more than 11 years after I made the decision to move to L. Mar 14, 2014. Last week Hanif Kureishi dismissed creative writing courses as 'a waste of time', yet they. It helps to be clean and presentable when teaching.
Careers in Writing & Creative Writing Writing Careers List. Get feedback and allow people to be honest, that way you will start to learn what really works. Hot and Cold I am talking about combining opposites such as spiccato and ligatto (short and long). Pop/Rock songwriter, Sting commented once that he finds it harder to write great songs now that he has become more analytical of music. Get Feedback As Often As Possible Be fearless with your songs. What is not OK is to try and convince everyone that it’s a great song! By giving yourself the freedom to experiment without pressure you will develop the creative part of your brain instead of the over analytical part. The aim is to improve over time, not to sit down and craft the perfect pop song on your first attempt. When you have long held chords, try a shorter or snappier vocal line. You might want to opt for a simpler, more solid guitar part. It’s simple stuff, but worth thinking about when writing or producing. Learn to Unlearn As we learn to write songs we naturally analyse what works and what doesn’t. The Disadvantage of Talent Michael Jordan is widely considered one of the greatest basketball players of all time. He became the greatest because he failed more times than the next basketball player, not because he was the most talented. We absorb new chord structures and develop an obsession for doing things the ‘correct’ way. Raw talent can take someone 10% of the way to success, but hard work and determination make up the rest! This is great as far as improving song writing goes, but somewhere along the way you may lose the ability to invent something new. The problem with naturally talented people is that they never learn failure and find it harder to accept defeat. By focusing on the whole picture you’ll be able to find the answers quicker by being honest and brutal with yourself. Say it Differently We all know that there are common lyrical themes in music. People who are average (but with a desire to win) are in many ways better equipped to stay the course and succeed long term. See the Bigger Picture Always Once you have the technical knowledge you need to write music, try and develop the part of your brain that can listen to and analyse the whole picture (instead of focusing on tiny details). I would guess that the topic of ‘love’ is the most widely used lyrical theme. You should be able to hear instantly what is needed to make your songs work. Using tried and tested themes can be a good thing, but you should always try and say it differently. For example, Dianne Warren said “Un-break my heart” instead of “Mend my heart”. She invented a new phrase to say the same thing a million other songs have said before and it worked perfectly! Keep It Simple I know so many musicians who agree that the best songs are the simplest, yet they can’t write simple songs themselves? It is a kind of ‘musicians curse’ to assume that complicated means better. Get used to writing simpler songs that have more hooks and adhere to common (natural) arrangement structures. Work With Others Even if you don’t like working with others, please try it. Remember, you will hear the song over and over but your audience will have to ‘get’ it on the first listen. You’ll see that in many cases more heads really can be better than one. Working with others forces you to move away from your comfort zone and in my experience produces better songs. The process of getting input from more people during the writing process is healthy and makes it unlikely that you’ll write a real stinker! Take Regular Breaks Have you ever worked on a song for 15 hours straight and been totally disappointed with the result? Doing anything creative can lead you down a rabbit hole of endless ideas that (if no breaks are taken) can spiral into complex introverted expression. If I am writing the vocals for a chorus or verse, I'll record about 20 different ideas without lyrics, simply finding a tune that sits well with the music and is catchy. In other words, take a bloody break and come back with fresh ears! I'll then leave it for a couple of days before going through my 20 ideas and pulling out the bits that really worked. More often than not I'll end up piecing bits of a few different ideas together! I have a lot of trouble following any certain guidelines with my songwriting, so I'm going to refer back to this often. I tend to just "wait for inspiration," which means I could never work for a company that required x amount of songs to be written per month. In those moments of inspiration, though, I feel like some good stuff comes out of me. I like your down-to-earth advice regarding songwriting. It just isn't something I can predict or control. I do think that with creative ventures, sometimes we have to 'get out of our heads' and just CREATE instead of worrying about whether or not it's "right". With Eclectic Verve's debut CD "Something on the Way" barely in the rearview mirror, Kent (Eclectic Verve's singer/songwriter/guitarist) has begun working on songs for our next CD. I'm going to pass a link to your post along to him as additional inspiration. Don't underestimate gut feelings or "happy accidents". Sometimes the first thing you come up with is the most genuine. Don't beat it to death trying to get it perfect - music is about feel. After all, the great David Lee Roth once said, "..you can't do it by the second take, you can't do it...". Please don't tell me about the emotions you're feeling. I have just uploaded a new article that looks at the importance of having "super-fans" and more importantly, how to find them! And, remember, Johnny Cash never really shot a man in Reno just to watch him die. As a songwriter, I want you to get *me* to feel something and I'm not really interested in how you feel about it. Take a look here: on my personal Blog here: Don't feel like you have to write "true" stories. Too often songwriters want to tell about some heart wrenching emotional event in their life rather than telling a story that will get me to feel what they felt. I hear more and more songwriters during workshops saying "but that's the story" or "that's the way it happened." It doesn't matter. Make me care and I will gladly listen, and buy, and promote you as a songwriter. I love Rule #9, I have been working in my studio writing songs and thinking they were great for the past few years. i don't know many other part-time song writers like I am so I found one online and had a session with him. It was amazing, I found myself seeing that I had stuff to work on and now my style is much more defined. That is the most important rule to me, stop, anyone cares i setup that session with this site Music180. Sometimes I feel I need to write unusual chord progressions or lyrics for the sake of being different. I don't know if it is for everyone but I liked it. It is different but it doesn't always help the song. I actually found publishing through the Audio Rokit website so I was especially intrigued to read this post! I have a tendency to follow the crowd and I need to work on being original. I would add to this list that the best songwriters seem to have a good (but basic) understanding of music theory. It seems to me that songwriters who have very advanced music theory tend to write music which is less accessible (too clever). I may be completely wrong on this but that is my perception from the many songwriters I personally know and work with. Generally though, I'd say writing a LOT is the key! In order words, if you want to write music about Quantum Chromodynamics then the melody structure and time signatures should be more complex than writing about your affection towards your sofa. I definitely agree with the last point: Take regular breaks. Beyond this, I would say write music that you like. And never write music that you believe other people would like. Perhaps one other point: music is not about the melody, the chord progression, the tempo, the time signature, the orchestration, the technical precision of the performance, the expression, the timber, the quality of the recording, the mixing, the mastering, etc. Melody and lyrics may only represent 10% of the actual work that goes into a good song. Good tips in general although the the last poster (Les) makes some good points about the honesty of the songwriting..your wrong about melody and lyric being only 10% of a good song Les. Most of he rest of the points you mentioned are to do with the performance and/or the recording. In the latter case (the recording) almost a seperate art form. I agree with most of the points in this article, except for keeping it simple. I think that's a cliche and is way overdone, especially over the last 20 years of popular music. Some of the most enduring songs of all time are actually complex songs. Having said that, simpler songs do tend to grab listeners' attentions more readily. So, it's a great idea to use this as a strategy to hook people and then hopefully they'll go on to check out the other music you have to offer. #12 Listen to other artist's music One way to expand our musical vocabulary is to draw inspiration from other artists sound, lyrical style, and instrumentation. If you play country rock, try listening to Owl City (who is close friends with Taylor Swift) and write in a similar style (his lyrics are distinguishable). Matthew Ebel once said that one of his most requested songs is his trance-style song; and he's mainly a singer-songwriter. Cheers, Endy Daniyanto Thanks Darren for this post & your Audio Rokit platform. I find my best songs happen when I write what I know/feel from personal experience. Also, new ideas flow through me when I shower, and also while I'm sleeping in my dreams. Founder Jeff Taylor explains this best: "You can change the world during a 30-minute shower. There's something about the hot water flowing over your head that makes what I call the "good part" and the "absent part" of your brain talk to each other. When you stand there with the soap in your hands, you begin to reinvent the soap. You think, I can put this clear soap together with this cream soap... Then you think, The shampoo doesn't have very good packaging. The next thing you know, you dream up a cool business idea. You turn off the shower and step one foot out onto the bathmat, then suddenly, you can't remember anything.[In the shower], your mind, body and spirit are all moving into your subconscious, where you invent new things, solve problems and potentially create opportunities or big ideas. Learn to focus on your idea and maintain that idea long enough, so that when you get out of the shower, you're able to capture your idea on a nearby pad of paper. I keep a pad of paper next to my bed, ready to catch my dreams and ideas. This leads me to a small, but important, life story." As for me, I also find that observing people (aka people watching) & can be a great stimulator of new ideas or fictional stories I'd never otherwise conceived. Writing with a specific artist in mind is also helpful as it gives me a target zone making the editing process easier. Trudee Lunden @ Trudee Glad you like the Audio Rokit song pitching platform, we've had many musicians sign deals in our first year (over 190) and we're looking at even more in 2012! So true, there is something about warm water, hypnotic splashes and increased creativity! I guess half the battle is to switch OFF our brains in order to become more creative. never let your mom write your songs I love this post. write with your heart...you feel...you think what you lived trough....a story up....it feeling...aim for simple catchy songs bc they get boring...a song that people will love for the meaning and emotion I have few songs which were not good and left writing for some time and from yesterday i started song-writing tips. I admit it I am 13 and really want to do music in any way possible... Yesterday when i finished my online song-writing course i wrote a song,havn't completed yet but it sounded good and now i think after getting this i can even write better songs day by day....... Good Post, I have been telling others for years that a study of the best songs, will show you Procedures / Rules to follow. If a song dosent work straight away its likely a waste of time to pursue it. I've written a couple songs but they were either terrible ( concluded by a couple opinions) or got lost when i lost my computer ( it got stolen). I cant stand people who say there are no rules to songwriting, in most cases they are Lazy idiots talentless and thick. a tip i suggest is: almost everyone sings in the shower, right? It's good to find sensible writers who realise that any Art Form has a set of rules , yes learn them, and then you have the right to break them but only where it will improve the song. I love #5 most "Raw talent can take someone 10% of the way to success, but hard work and determination make up the rest! well instead of singing a song you already know sing something of your own. no one has to hear it and it don't have to be good. I'v written poems for a long time, and poems are a bit diffrent than songs. Most of the songs I write are based more on my past, and they're pretty emotional. My friend asked me if I could write a song for his band, and as I have no musical talent at all, I find it a bit diffucult. I want to be able to write more upbeat and catchy songs, but I don't want to be like Ke$ha where none of her songs make sense yet they're so catchy... And with them being a metal band, I have no clue on what to do. So I just write stuff I belive could work, and try to expand my poems a bit. Now I belive I'v finally gotten something they can use. I like the fact that many here are accepting that there are rules or guide lines for writing a commercial song. So called inspiration is not what starts me off, I write everyday but often break from it and work, on House renovation or Garden work. I love doing all three , and often have to break away from the latter two , in order to re record aphrase or a cadence to a verse or Chorus. Many so called inspirational ideas reach a point where they are eitherdiscontinued, or set aside to work on . I never rush a song, I sleep on themand my subconscious sorts out the parts that need the work, to make them into Great Songs. The business is not about writing one Great Song, Publishers are looking or writers who can write to a high standard, all the time. There are many so called lucky writers out there who have stumbled accidentally on a Hit tune, who spend the rest of there active years trying to teach others, giving out information that's not relevant to others finding success. Jason Blume in his popular book, refers to Meter being the same thing as Rhythm sorry Jason they are two different things , both essential in their own ways , to learning the art of Good Songwriting As a songwriter for over 20 years, I feel like I've learned lots of tips and tricks over the years. This is a great article and I appreciated finding confirmation about some of my own experiences. So many times I've had song ideas that sort of crept up and hit me from behind. My best successes have been when I stopped what I was doing and wrote the ideas down. At best, grab your guitar and get to work, but at least jot down lyric and musical ideas. I've even snuck away to my car and sung lines into my phone so I can remember melodies later. Keeping a journal nearby is definitely a necessity for songwriters.2) Simple is great, especially if you're playing with a band and/or you want others to learn the song. Nothing is easier to learn than a four-chord song, and there's nothing wrong with them. But don't underestimate mixing in some complex songs, too. Just don't expect others to jump in on other instruments and back you up. Save those for solo shows.3) Write about real experiences, if that's what you've got. But don't be afraid to view songwriting as storytelling and role playing. Use songs to explore things you might not have experience with. For example, I have been happily married 17 years and have a family. Yet I have written many songs about a lover who has left. My experience is that it helps bring mental and emotional balance, kind of like how dreams often let you explore things you would never do in real life.4) Write songs that YOU like to sing and that YOU like to hear. If your success is based entirely on getting a record deal or selling a song to someone famous, you're going to have a tough time with songwriting (although that may inspire some good songs! If your first goal is to write music you enjoy, you'll always be happy. If others catch on and enjoy them as well, that's just gravy. Thanks again for this great article - best of luck to you and please continue sharing your experiences. I have spent almost 15 years playing guitar in hardcore and metal bands. It was fun while it lasted but times change, people change and the scene just failed to live up to the way it used to be. I've been vigorously writing with my Takamine G-series acoustic for my own twist on Folk Music. The music comes to me naturally and I've written some great stuff but im really struggling with writing lyrics. This had a lot of great pointers for me and i actually have a really catchy chorus to my latest tune expressing my disappointment in popular music today prioritizing fashion over passion. i did some rushed recordings to help me write lyrics on the go that you can check out at pointers are greatly appreciated. most of the recordings are way too fast for how i want them but i was overly excited to lay them down when i did it. soon enough i'll have them updated with better arrangements. If by any chance you're doubting my level of struggle, here is a link to what i did before this you so much, this was super helpful information. I also think some useful things when writing songs are: writing down every phrase you think of. I am stuck on so many ideas at the verse/chorus bits and never sure where to go. I also usually write heavy stuff, but after getting bored and getting over my own horribly self critical approach to 'cheesy stuff' I let go and wrote some 'cheesy stuff', and they were ok! I have phrases saved from years ago that I'll go back to and refine even now. So yeah, getting over your own barriers by trying different genres, even if you have to talk yourself into it for a laugh. never assume you'll just remember a chord sequence or a phrase, because you might not be thrilled with it now, but even years later I'm sure I'll be returning to some of my concoctions and spinning them up again. this is a good article, it is often too easy to lose your head in your own ideas. i have been writing riffs for as long as i have been playing, it just comes naturally to me. i play guitar, bass and piano and i use a drum machine, but i cant sing or write lyrics well so piecing together a complete song is a challenge. here are a few things i always try to thing i often get told from people who are interested in writing some lyrics is that i dont leave enough space for it. as a musician i like to keep things moving but sometimes i need to just stay on one riff for a while to give someone else room to work with. for me its the sigur ros dvd and pink floyd's pulse. i dont know why but if i just go and watch them when i get a little bit stuck it gets the creative juices flowing again regardless of the style of music i am writing. i know some people have a particular album and some who have to take a walk, but its all the same thing. everyone has one so find yours and use it when you need to reset your a "stock" song. when i am not writing anything in particular i mess around a bit with stocks. all it is is a tune with a chorus that repeats but every verse is different. it can grow from the tiniest riff and by the end of it you have just written 4-5 riffs that all work in a certain key. its a good way of writing in bitesize chunks and to get a bit of practise at blending riffs. i have used this to write probably 80% of my tunes and its something i really enjoy doing.lastly if like me you mess around with a digital studio, just thrash out your song roughly first. leave the mistakes and just get a rough version in. then you can mute the track you want to do better but you have it with the context of everything else. i have spent hours before now writing really complex riffs for a song only to try it and find it just doesnt fit or overshadows something else.ps, learn to love the bass, so many people i know just use the bass to shore up chords. it is a great instrument on its own and used well it can make a song very powerful. i think its a shame that it often gets left behind. I write songs for fun but I think if you have an idea of lyrics of a song, jot it down. Even if sometimes the lyrics don't match for the same subject, you can always allow new ideas and lyrics so later on, you can make more. And also, you can edit your song and not all songs have rhythms. Be creative :) https://youtu.be/-op DUd QHb WAJust recorded a live version of my Original Song “Jump And Soar” on Kauai at the oldest home on the island. What careers can you get with a creative writing or screenwriting degree. you'll be generating professional content that will help you build a portfolio of writing.
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